The reproducibility and boundaries of art are discussed in a wide range of theories. With both modernism and postmodernism, the artists involved in these art movements. Artworks like painting, craft-based work, conceptual art, installation art, photography, and more concepts of art have been produced and reproduced within different times and forms. Postmodernism is controversial in terms of content and legitimacy. Considering the discussions about dimensions of terms, artistic and critical experiments play a leading role in understanding the meaning. In terms of art, more discussion appears, especially in the age of new technology, pluralization, and fragmentation. In terms of artistic and critical approaches, postmodernism provides a suitable ecosystem to emphasize the complexity and intertextuality inherent in adaptive practices. Adaptation, in this sense, is an act of creation, where the boundaries between original and derivative blur, and meaning is constructed through the interplay of various pretexts. Theories of adaptations open a new window for creative and interpretive acts of production. Linda Hutcheon mentions adaptation as a dynamic process involving a mosaic of visible and invisible citations. The research covers the layers of adaptation in a postmodern era with different forms of video. The transformation from one medium to another exemplifies the postmodern practice of text to image, text to video, text to cinema, film to game, and game to film examples in the framer work of creative acts that reconstruct meaning, embracing the multiplicity of authorship and the provisional nature of the final product.

Authors:
Semra Ay, Başkent University, Turkey

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Posted by James Alexander Gordon

Last updated: 2023-02-23 23:45:00

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